Eddy Chen / HBO

FILM & TV

Examining the Lover’s Montage in Euphoria Episode 4

Whether you love or hate the complete chaos that has ensued this season, you have to admit Euphoria is the embodiment of visually stunning cinematography. 
Marcell Rev / HBO

Whether you love or hate the complete chaos that has ensued this season, you have to admit Euphoria is the embodiment of visually stunning cinematography. 

Whether you love or hate the complete chaos that has ensued this season, you have to admit Euphoria is the embodiment of visually stunning cinematography. 
 Eddy Chen / HBO

Told from the perspective of teenage drug addict Rue (Zendaya), viewers often feel as if they are experiencing the fictional world through her drug-induced haze.

In the opening scene of season two, episode four, “You Who Cannot See, Think of Those Who Can,” we become further entwined in the inner workings of Rue’s mind. We see exactly how she envisions her roller-coaster of a relationship with her girlfriend Jules (Hunter Schafer). 

“I don’t think you understand just how much I love Jules,” Rue tells us in the episode’s opening.

Whether you love or hate the complete chaos that has ensued this season, you have to admit Euphoria is the embodiment of visually stunning cinematography. 
Eddy Chen / HBO

The couple is in the midst of an intimate moment, except there is one problem — Rue is high out of her mind. What follows is a series of striking reenactments, referred to as the “lover’s montage,” of the two women portraying iconic pieces of art and pop culture throughout history.

From the Birth of Venus by Sandro Botticelli to The Lovers by René Magritte to Self-Portrait as a Tehuana by Frida Kahlo, their all-consuming relationship takes on new meaning when viewed through the lens of the world’s most recognizable paintings.

Other pop culture references include an animated kiss reminiscent of Disney’s Snow White and the Seven Dwarves and Annie Leibovitz’s beloved photograph of Yoko Ono and John Lennon for Rolling Stone

However, the lover’s montage takes on a more ominous meaning when considering the specificity of the movie characters chosen. With Rue and Jules depicted as Sam and Molly from Ghost, Jack and Rose from Titanic, and Jack and Ennis from Brokeback Mountain, viewers can’t help but wonder — does the montage foreshadow death?  

And if it does foreshadow death, then for who, exactly? Fans seem to think it’s Rue, and the theory seems plausible. One Twitter user notes that in the opening scene, Rue plays all of the characters that die at the end of their respective movies. 

Rue imagining her funeral at the end of the episode and having a heart-to-heart in the arms of her dead father, feels as if she is slipping away from both the people that she loves and us as viewers. With episodes five’s trailer devoid of her character, it’s only a matter of time before she slips away from everyone entirely.